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Tom's Lyric Boutique; Lyrics, getcher lyrics right here...
Topic Started: May 13 2006, 01:50 PM (1,443 Views)
Samwise
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Hey all! Following up on a topic of the same name over at the McCartney board, I thought I'd share my lyrics with all of you here as well. B)

Let's start with what may be my most ambitious lyric (and one of my best IMHO), in large part a tribute to Bruce Springsteen...

* * *

~TWO YOUNG LOVERS~
A Rock & Roll Suite in Four Parts

Posted Image

Movement I (How We Met)

It was an evening at the end of June
The night was coming on strong
The air was hot and heavy with rain
Singing a summer’s song

I was gigging down a local bar
Guys and dolls came trickling in
To spend the night and hear us play
Reeking of cigarettes and gin

We ended our first set to scattered applause
Rain trickled down the windows
We were leading into something new
Smoky air, lights low

The door swung open to the tinkle of a bell
I never paid attention to it usually
But for whatever reason I looked up that night
And saw you staring right back at me

Movement II (No Turning Back)

Mama’s little girl stepping out tonight
Jeans that’d drive any man insane
She’s got a feeling so big and wonderful
That she can’t quite put her finger on it
Going to that place where the city lives
And the young men do the streetlight waltz till last call
It’s coming on fast and it’s coming on strong
But she’d do best not to linger on it

There’s a guy been seen down the boardwalk
Though no one can say for sure
Roaring around in a ’67 Dodge
And a checkered flag in his hand
Beating down the windows on the lower east side
With his dreams between his teeth
Waiting for the race to begin
While the passerby all wonder, “Who was that masked man?”

That used to be you and me
When the party was going
And we hadn’t been invited
Yeah, that was us way back when
Before we found each other
And love was ignited
It blew in on a wayward breeze
And launched its surprise attack
But once it had us in its grip, babe
There was no turning back

Movement III (Our Night)

We’d take the car
And go out hitting the bars
With no explanations given
Come home two in the morning
Without any warning
Blinded by the light of downtown living

Sneak in the backdoor
Parents laying for you
Saying, “You thought you were so clever!”
Your mama’s mad
And your daddy says he’s had it
With these late-night teenage endeavors

But baby you’re a woman now
You don’t need their permission
You’ve got a mind of your own
You can make your own decisions
They only want what’s best for you
But they just can’t see
That I’m the best thing that ever happened to you
And you’re the best thing that ever happened to me

And on that long and glorious night
We held each other tight
And gave ourselves over without a fight
To the sacrificial rite
I knew it then and I know it now
It was our night

Movement IV (Find the Sun)

Now times have gotten tough
We’re lost at sea in the middle of a hurricane
Clouds veil the sun far above
But we’ll weather the wind and we’ll weather the rain

Give us something to believe in
Whatever you can find for us
Time’s got us on the run
Give us something to put our faith in
And someday we’ll find the sun

Slim pickings and slimmer chances
Barreling down the runway at a thousand miles an hour
You know we may burn up on reentry
But we’ve got the drive and we’ve got the power

Put your head on my shoulder
I’ll run my hand through your hair
I’ll comfort you when you’re down and out
And gasping for air
‘Cos it’s a long way down this avenue
Of broken hearts and second-hand lives
But with our heart on our sleeve
And a foot on the gas
Somehow we’ll survive

Give us something to believe in
Whatever you can find for us
Time’s got us on the run
Give us something to put our faith in
And someday we’ll find the sun

* * *
Posted Image
My name is Ozymandias, king of kings:
Look on my works, ye Mighty, and despair!
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Samwise
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A Bob Dylan-influenced number, replete with obligatory Dylan allusion. One of the first lyrics I wrote that I can still bear to look at. :rolleyes: :lol:

* * *

Posted Image

THERE'S A MAN OUT ON THE HIGHWAY

There’s a man out on the highway
A-running from the law
His engines are burned out
And his feet are raw
He’s fleeing for the shining Gates
Of misty Avalon
Another mile of twisted palms
And the fugitive will have gone

But the hounds are at his heels
With flashing eyes and headlights
Leads held by clowns in sable coats
They’ve got him in their sights
They’re coming now to fetch him
They’ll tell him where to go
And keep him from escaping
Out to Desolation Row

They’ll hide his head down in the ground
Of the Phony Land
Where shaven monks with cloven hooves
Will lead him by the hand
It’s not so much in what they preach
It’s more the turn of phrase
That keeps a man dead on his feet
Stumbling in a haze

With fire and empty promises
They’ll drive him deaf and blind
Incarcerate his senses
And suffocate his mind
Get out before they catch you too
And hang you from the skies
With ropes of hope and magic tricks
And sympathetic lies

There’s a man out on the highway
He’s made it through Avalon’s Gate
Grazed by the groping fingertips of Fate

* * *
Posted Image
My name is Ozymandias, king of kings:
Look on my works, ye Mighty, and despair!
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Samwise
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Initially a poem, an experiment to see how many album titles I could cram into verse and remain at least semi-coherent. :lol: I picked it up a few months later, wrote the record shop "bookends", and there it was! B)

* * *

SECOND-HAND RECORD STORE

Posted Image

It was a rainy day when I walked down
To a record store on the corner
I was looking for a shot of rhythm n’ blues
The jingle-jangle of the bell as I open the door
Shuffle in behind the second-hand rack
Rifling old LPs with nothing to lose

What’s this feeling?
The radio dives Into the Music loud and clear
Making Movies Out of the Blue

Through the window drift the Pet Sounds
From the street, and the Moondance March
Sgt. Pepper’s Lonely Hearts Club Band
Playing in the park beneath the arch
I hear there was a suicide a few years back
In the warehouse next door
Put a Revolver against his head
And Let It Bleed on the floor

The Wheels of Fire are turning around
The Axis, Bold as Love
But our Days of Future Passed have left them
Rolling in the dust
The Band on the Run has blown a tire
On their Little Deuce Coup
They were Born to Run
Houses of the Holy or bust!”

The Village Green Preservation Society
Is picketing the Morrison Hotel
They’re holding Tommy hostage
And they know it well
Mad Dogs & Englishmen
Who Can’t Buy a Thrill
Are Selling England by the Pound
John Wesley Harding foots the bill

I look behind me and I can see
The Blood on the Tracks
We’re in Dire Straits, we’ve gotta Sail Away
And not a day too soon
Babe I Wish You Were Here
You know we’d have a ball
Spend A Night at the Opera
But till then I’ll see you on the Dark Side of the Moon

What’s this feeling? Déjà Vu...
The radio crackles and the music fades
The movie reel winds down…

Nothing new on the shelves today
Oh wait, here’s one I’ve never heard before
Take it to the register
Pay out a fiver and head for the door
But over my shoulder I take one last look
The dispenser of my fantasies
My second-hand record store

* * *
Posted Image
My name is Ozymandias, king of kings:
Look on my works, ye Mighty, and despair!
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Emilee
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Those are great! I especially love Second-Hand Record Store B) Keep it up!! :)
I wished I could save her in some sort of time machine.
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Samwise
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HaveACuppaTea!
May 14 2006, 06:36 AM
Those are great! I especially love Second-Hand Record Store B) Keep it up!! :)

Thanks! :) I like that one too, I think it's one of the more fun, clever things I've written, saying little as that is. :rolleyes: :lol:
Posted Image
My name is Ozymandias, king of kings:
Look on my works, ye Mighty, and despair!
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Samwise
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Inspired after listening to Pink Floyd's ANIMALS in a rather dark mood. It's definitely got that black Watersian thing about it. I've got this one worked out entirely (and as I forgot to mention There's a Man Out on the Highway), so if my band ever gets around to recording them I'll definitely post them. B)

* * *

HEART ATTACK

Posted Image

Welcome to the Heart Attack
We’ve been waiting for someone like you
A lover, a dreamer
Get those goddamn fantasies out of your head
In the end you’re still gonna end up dead

People are sheep
Let’s get that straight from the start
Fool them into following
And you can rip out their hearts
And they won’t even know

How many times have you spoken
But no one seemed to hear you?
Well, you’re better than them anyway
So satisfy your vanity
If you can’t gain their respect, then make them fear you

What are you concealing
In that bleeding heart of yours?
Either keep it hidden
Or get it out in the open
And lock the doors

The trick is learning not to care
How to keep up the façade
The only second shot they’ll be getting’s
From the firing squad

We’ll make a man of you yet
Teach you to hide your pain
Close the shutters against the rain
Posted Image
My name is Ozymandias, king of kings:
Look on my works, ye Mighty, and despair!
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Samwise
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A big rock ballad that builds up from a spare intro to a huge lush chorus. I've written a companion piece to this called The World of Dreams, and if my band gets around to recording this one I'll post that too. ^_^
* * *

MY XANADU

Posted Image

I was walking down a rainy street
I was looking for a place to meet
Glancing up an empty stair
Thought I saw you shining there
I reached for you
Though I knew it couldn’t be true

You’re telling me it’s fantasy
Whoa-oh just a fantasy
But it felt so real to me

I tried to follow on the wings of the night
But she was soaring like a bird in flight
She flew away

She’s got me walking on the edge of a knife
One false step will end my life
But I’m falling

(Instrumental Pre-Chorus)

And so, my love, I’m leaving
All that I have known
Because there’s nothing
You can see that isn’t shown
And so my paradise
My Xanadu beneath the summer moon
I bid you farewell
But someday I will return to you
My Xanadu


In the fields of my mind
Was decreed a stately pleasure dome
I saw you standing there
And I knew at last I’d found my home
The Avalon of my heart
My Xanadu

(Solo + Pre-Chorus)

But now, my love, I’m leaving
All that I have known
You understand I’ve got to
Make it on my own
And so my paradise
My Xanadu beneath the summer moon
I bid you farewell
But someday I will return to you
My Xanadu


* * *
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My name is Ozymandias, king of kings:
Look on my works, ye Mighty, and despair!
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audrey
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This song is called Alice's Restaurant, and it's about Alice, and the
restaurant, but Alice's Restaurant is not the name of the restaurant,
that's just the name of the song, and that's why I called the song Alice's
Restaurant.

You can get anything you want at Alice's Restaurant
You can get anything you want at Alice's Restaurant
Walk right in it's around the back
Just a half a mile from the railroad track
You can get anything you want at Alice's Restaurant

Now it all started two Thanksgivings ago, was on - two years ago on
Thanksgiving, when my friend and I went up to visit Alice at the
restaurant, but Alice doesn't live in the restaurant, she lives in the
church nearby the restaurant, in the bell-tower, with her husband Ray and
Fasha the dog. And livin' in the bell tower like that, they got a lot of
room downstairs where the pews used to be in. Havin' all that room,
seein' as how they took out all the pews, they decided that they didn't
have to take out their garbage for a long time.

We got up there, we found all the garbage in there, and we decided it'd be
a friendly gesture for us to take the garbage down to the city dump. So
we took the half a ton of garbage, put it in the back of a red VW
microbus, took shovels and rakes and implements of destruction and headed
on toward the city dump.

Well we got there and there was a big sign and a chain across across the
dump saying, "Closed on Thanksgiving." And we had never heard of a dump
closed on Thanksgiving before, and with tears in our eyes we drove off
into the sunset looking for another place to put the garbage.

We didn't find one. Until we came to a side road, and off the side of the
side road there was another fifteen foot cliff and at the bottom of the
cliff there was another pile of garbage. And we decided that one big pile
is better than two little piles, and rather than bring that one up we
decided to throw our's down.

That's what we did, and drove back to the church, had a thanksgiving
dinner that couldn't be beat, went to sleep and didn't get up until the
next morning, when we got a phone call from officer Obie. He said, "Kid,
we found your name on an envelope at the bottom of a half a ton of
garbage, and just wanted to know if you had any information about it." And
I said, "Yes, sir, Officer Obie, I cannot tell a lie, I put that envelope
under that garbage."

After speaking to Obie for about fourty-five minutes on the telephone we
finally arrived at the truth of the matter and said that we had to go down
and pick up the garbage, and also had to go down and speak to him at the
police officer's station. So we got in the red VW microbus with the
shovels and rakes and implements of destruction and headed on toward the
police officer's station.

Now friends, there was only one or two things that Obie coulda done at
the police station, and the first was he could have given us a medal for
being so brave and honest on the telephone, which wasn't very likely, and
we didn't expect it, and the other thing was he could have bawled us out
and told us never to be see driving garbage around the vicinity again,
which is what we expected, but when we got to the police officer's station
there was a third possibility that we hadn't even counted upon, and we was
both immediately arrested. Handcuffed. And I said "Obie, I don't think I
can pick up the garbage with these handcuffs on." He said, "Shut up, kid.
Get in the back of the patrol car."

And that's what we did, sat in the back of the patrol car and drove to the
quote Scene of the Crime unquote. I want tell you about the town of
Stockbridge, Massachusets, where this happened here, they got three stop
signs, two police officers, and one police car, but when we got to the
Scene of the Crime there was five police officers and three police cars,
being the biggest crime of the last fifty years, and everybody wanted to
get in the newspaper story about it. And they was using up all kinds of
cop equipment that they had hanging around the police officer's station.
They was taking plaster tire tracks, foot prints, dog smelling prints, and
they took twenty seven eight-by-ten colour glossy photographs with circles
and arrows and a paragraph on the back of each one explaining what each
one was to be used as evidence against us. Took pictures of the approach,
the getaway, the northwest corner the southwest corner and that's not to
mention the aerial photography.

After the ordeal, we went back to the jail. Obie said he was going to put
us in the cell. Said, "Kid, I'm going to put you in the cell, I want your
wallet and your belt." And I said, "Obie, I can understand you wanting my
wallet so I don't have any money to spend in the cell, but what do you
want my belt for?" And he said, "Kid, we don't want any hangings." I
said, "Obie, did you think I was going to hang myself for littering?"
Obie said he was making sure, and friends Obie was, cause he took out the
toilet seat so I couldn't hit myself over the head and drown, and he took
out the toilet paper so I couldn't bend the bars roll out the - roll the
toilet paper out the window, slide down the roll and have an escape. Obie
was making sure, and it was about four or five hours later that Alice
(remember Alice? It's a song about Alice), Alice came by and with a few
nasty words to Obie on the side, bailed us out of jail, and we went back
to the church, had a another thanksgiving dinner that couldn't be beat,
and didn't get up until the next morning, when we all had to go to court.

We walked in, sat down, Obie came in with the twenty seven eight-by-ten
colour glossy pictures with circles and arrows and a paragraph on the back
of each one, sat down. Man came in said, "All rise." We all stood up,
and Obie stood up with the twenty seven eight-by-ten colour glossy
pictures, and the judge walked in sat down with a seeing eye dog, and he
sat down, we sat down. Obie looked at the seeing eye dog, and then at the
twenty seven eight-by-ten colour glossy pictures with circles and arrows
and a paragraph on the back of each one, and looked at the seeing eye dog.
And then at twenty seven eight-by-ten colour glossy pictures with circles
and arrows and a paragraph on the back of each one and began to cry,
'cause Obie came to the realization that it was a typical case of American
blind justice, and there wasn't nothing he could do about it, and the
judge wasn't going to look at the twenty seven eight-by-ten colour glossy
pictures with the circles and arrows and a paragraph on the back of each
one explaining what each one was to be used as evidence against us. And
we was fined $50 and had to pick up the garbage in the snow, but thats not
what I came to tell you about.

Came to talk about the draft.

They got a building down New York City, it's called Whitehall Street,
where you walk in, you get injected, inspected, detected, infected,
neglected and selected. I went down to get my physical examination one
day, and I walked in, I sat down, got good and drunk the night before, so
I looked and felt my best when I went in that morning. `Cause I wanted to
look like the all-American kid from New York City, man I wanted, I wanted
to feel like the all-, I wanted to be the all American kid from New York,
and I walked in, sat down, I was hung down, brung down, hung up, and all
kinds o' mean nasty ugly things. And I waked in and sat down and they gave
me a piece of paper, said, "Kid, see the phsychiatrist, room 604."

And I went up there, I said, "Shrink, I want to kill. I mean, I wanna, I
wanna kill. Kill. I wanna, I wanna see, I wanna see blood and gore and
guts and veins in my teeth. Eat dead burnt bodies. I mean kill, Kill,
KILL, KILL." And I started jumpin up and down yelling, "KILL, KILL," and
he started jumpin up and down with me and we was both jumping up and down
yelling, "KILL, KILL." And the sargent came over, pinned a medal on me,
sent me down the hall, said, "You're our boy."

Didn't feel too good about it.

Proceeded on down the hall gettin more injections, inspections,
detections, neglections and all kinds of stuff that they was doin' to me
at the thing there, and I was there for two hours, three hours, four
hours, I was there for a long time going through all kinds of mean nasty
ugly things and I was just having a tough time there, and they was
inspecting, injecting every single part of me, and they was leaving no
part untouched. Proceeded through, and when I finally came to the see the
last man, I walked in, walked in sat down after a whole big thing there,
and I walked up and said, "What do you want?" He said, "Kid, we only got
one question. Have you ever been arrested?"

And I proceeded to tell him the story of the Alice's Restaurant Massacre,
with full orchestration and five part harmony and stuff like that and all
the phenome... - and he stopped me right there and said, "Kid, did you ever
go to court?"

And I proceeded to tell him the story of the twenty seven eight-by-ten
colour glossy pictures with the circles and arrows and the paragraph on
the back of each one, and he stopped me right there and said, "Kid, I want
you to go and sit down on that bench that says Group W .... NOW kid!!"

And I, I walked over to the, to the bench there, and there is, Group W's
where they put you if you may not be moral enough to join the army after
committing your special crime, and there was all kinds of mean nasty ugly
looking people on the bench there. Mother rapers. Father stabbers. Father
rapers! Father rapers sitting right there on the bench next to me! And
they was mean and nasty and ugly and horrible crime-type guys sitting on the
bench next to me. And the meanest, ugliest, nastiest one, the meanest
father raper of them all, was coming over to me and he was mean 'n' ugly
'n' nasty 'n' horrible and all kind of things and he sat down next to me
and said, "Kid, whad'ya get?" I said, "I didn't get nothing, I had to pay
$50 and pick up the garbage." He said, "What were you arrested for, kid?"
And I said, "Littering." And they all moved away from me on the bench
there, and the hairy eyeball and all kinds of mean nasty things, till I
said, "And creating a nuisance." And they all came back, shook my hand,
and we had a great time on the bench, talkin about crime, mother stabbing,
father raping, all kinds of groovy things that we was talking about on the
bench. And everything was fine, we was smoking cigarettes and all kinds of
things, until the Sargeant came over, had some paper in his hand, held it
up and said.

"Kids, this-piece-of-paper's-got-47-words-37-sentences-58-words-we-wanna-
know-details-of-the-crime-time-of-the-crime-and-any-other-kind-of-thing-
you-gotta-say-pertaining-to-and-about-the-crime-I-want-to-know-arresting-
officer's-name-and-any-other-kind-of-thing-you-gotta-say", and talked for
forty-five minutes and nobody understood a word that he said, but we had
fun filling out the forms and playing with the pencils on the bench there,
and I filled out the massacre with the four part harmony, and wrote it
down there, just like it was, and everything was fine and I put down the
pencil, and I turned over the piece of paper, and there, there on the
other side, in the middle of the other side, away from everything else on
the other side, in parentheses, capital letters, quotated, read the
following words:

("KID, HAVE YOU REHABILITATED YOURSELF?")

I went over to the sargent, said, "Sargeant, you got a lot a damn gall to
ask me if I've rehabilitated myself, I mean, I mean, I mean that just, I'm
sittin' here on the bench, I mean I'm sittin here on the Group W bench
'cause you want to know if I'm moral enough join the army, burn women,
kids, houses and villages after bein' a litterbug." He looked at me and
said, "Kid, we don't like your kind, and we're gonna send you fingerprints
off to Washington."

And friends, somewhere in Washington enshrined in some little folder, is a
study in black and white of my fingerprints. And the only reason I'm
singing you this song now is cause you may know somebody in a similar
situation, or you may be in a similar situation, and if your in a
situation like that there's only one thing you can do and that's walk into
the shrink wherever you are ,just walk in say "Shrink, You can get
anything you want, at Alice's restaurant.". And walk out. You know, if
one person, just one person does it they may think he's really sick and
they won't take him. And if two people, two people do it, in harmony,
they may think they're both faggots and they won't take either of them.
And three people do it, three, can you imagine, three people walking in
singin a bar of Alice's Restaurant and walking out. They may think it's an
organization. And can you, can you imagine fifty people a day,I said
fifty people a day walking in singin a bar of Alice's Restaurant and
walking out. And friends they may thinks it's a movement.

And that's what it is , the Alice's Restaurant Anti-Massacre Movement, and
all you got to do to join is sing it the next time it come's around on the
guitar.

With feeling. So we'll wait for it to come around on the guitar, here and
sing it when it does. Here it comes.

You can get anything you want, at Alice's Restaurant
You can get anything you want, at Alice's Restaurant
Walk right in it's around the back
Just a half a mile from the railroad track
You can get anything you want, at Alice's Restaurant

That was horrible. If you want to end war and stuff you got to sing loud.
I've been singing this song now for twenty five minutes. I could sing it
for another twenty five minutes. I'm not proud... or tired.

So we'll wait till it comes around again, and this time with four part
harmony and feeling.

We're just waitin' for it to come around is what we're doing.

All right now.

You can get anything you want, at Alice's Restaurant
Excepting Alice
You can get anything you want, at Alice's Restaurant
Walk right in it's around the back
Just a half a mile from the railroad track
You can get anything you want, at Alice's Restaurant

Da da da da da da da dum
At Alice's Restaurant
a pretty nurse is selling poppies from a tray
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Hey Jude

Wow. We were just listening to Arlo Guthrie the other night! B)
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Samwise
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Ah, Alice's Restaurant, one of my all-time favourites right there. I used to listen to it constantly and actually transcribed it all by ear, the full 20 minutes or whatever, before I realized I could just log onto the internet and do a search. :blush: :lol:
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My name is Ozymandias, king of kings:
Look on my works, ye Mighty, and despair!
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Samwise
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This one I wrote just yesterday. It's just a fragment now and I could easily extend it. But I was looking it over and thought, you know, that really says everything I wanted it to already - maybe I should just leave it short. Any thoughts? :)

* * *

Posted Image

LIFE'S A PLAY

Sometimes life’s a play
And I’m an actor on the stage
I may not like the plot
Or the characters
But the script ain’t something I can change
The spotlight’s on us
But no one knows their lines
It’s all so unrehearsed
We can only fear the worst
But somehow in the end it turns out fine
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My name is Ozymandias, king of kings:
Look on my works, ye Mighty, and despair!
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Samwise
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An interesting little character-sketch piece ala Aqualung, starting off hard and nasty, then going soft and sweet for the middle before returning to rock at the end. You'll notice I worked in all four card suits into the lyrics... :whistle: :lol:

* * *

QUEEN OF HEARTS

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There's a Queen who reigns
From the clubs in the city of the fireflies
In an ebony tower
Her decrees are her desires
Her armies are in her eyes

Give her half a chance
And she’ll castrate any man she meets
Give her a week
She’ll have the King of Diamonds
Begging in the streets

She’s the Queen of Hearts
The muscle behind the mind
She’s the lady of the underground
Sex, drugs, and rock n’ roll
Dressed up and refined


She’ll take misuse; she’ll take abuse
And pay it back in spades
She’ll take anything for free
But don’t try to win her heart
Or she’ll lay you in your grave

She’s the Queen of Hearts
The muscle behind the mind
She’s the lady of the underground
Sex, drugs, and rock n’ roll
Dressed up and refined


But sometimes when night has fallen
The queen creeps out from behind the veil
To walk alone in moonlight pale

She gazes back with a tear in her eye
At the city she calls home
Is this what she wanted all those years ago
When she ascended to the throne?

Just because she rules with an iron fist
Doesn’t mean she has a heart of steel
Just because she refuses to
Doesn’t mean she can't feel

But when the sun rises she returns
To steal behind the veil again
And resume her reign

She’s the Queen of Hearts
The muscle behind the mind
She’s the lady of the underground
Sex, drugs, and rock n’ roll
Dressed up and refined


* * *
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My name is Ozymandias, king of kings:
Look on my works, ye Mighty, and despair!
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Samwise
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A breakup ballad with a twist - I've got a pretty kind of jangly acoustic arrangement on this one, we should have some recording equipment in about two weeks, so I'll post it when we do. ;)

* * *

ONE LAST TIME (LET IT SHINE)

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We always promised we’d last forever
We’d be together till the end of time
The end of time comes sooner than you expect
But if this is where our ways part
Let’s part as friends at least
And take a minute or two to reflect

When time comes to say goodnight
I hope you’ll look back on the whole affair
With memories as fond as mine
But before we turn out the light
Let’s give this thing one last hurrah
Light it up and let it shine

Looking back
All the things we could’ve, should’ve, would’ve done
Given a second chance
But living in the past
Never really got us anywhere
So let’s make this our last dance

One last time
Let’s relive the magic
One last time
Let’s pretend there’s no tomorrow
Things really aren’t so tragic after all
So before we call it quits
Let it shine
One last time


Well, this is where we get off
It was nice while it lasted
But all good things must come to an end
I can’t say I’m excited
But at least we had some fun
Now time will tell what’s waiting ‘round the bend

Looking back
All the things we could’ve, should’ve, would’ve done
Given a second chance
But living in the past
Never really got us anywhere
So let’s make this our last dance

One last time
Let’s relive the magic
One last time
Let’s pretend there’s no tomorrow
Things really aren’t so tragic after all
So before we call it quits
Let it shine
One last time
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My name is Ozymandias, king of kings:
Look on my works, ye Mighty, and despair!
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maccascruff
Sing the Changes
I spent hours transcribing Alice's Restaurant when it was new. In those days, lyrics were not printed on albums or singles. I have it as a single and that was how I spent hours!
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Samwise
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maccascruff
May 22 2006, 01:05 AM
I spent hours transcribing Alice's Restaurant when it was new. In those days, lyrics were not printed on albums or singles. I have it as a single and that was how I spent hours!

You see, I did the same thing. But I was doing it in the days of the internet, before I realized I could jump online and have it done for me. <_< :lol:
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My name is Ozymandias, king of kings:
Look on my works, ye Mighty, and despair!
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